TANIA MELNYCZUK

Articulation

LAST UPDATED: 6 June 2024
Articulation is a set of figurative ballpoint doodles printed onto Hahnemühle paper using a museum-quality process, with further elements added in ballpoint to create unique variants of the originals.

Variants of the series are numbered, e.g., Articulation 1, Articulation 2. Articulation 1 has been entered into the Sasol New Signatories 2024 competition.

How the work was created

The artist presented portions of the unfinished work to friends and followers, who interpreted them and suggested how they could be continued. The result is a collection of whimsical representations of social and work situations. Suboptimally designed robots, a common element in the Tania’s work, represent imperfect humans in moments of conflict and collaboration. In some scenes, doing things separately creates calm; in others, driving separate agendas appears chaotic. The opposites are also true: some attempts at doing things together fail, as several robots try to achieve common goals in different ways, while others succeed at working together. These paradoxes also reflect the artist’s experience as an autistic person working among people of varying neurotypes, who sometimes complement each other and at other times misunderstand each other’s modi operandi or simply don’t have the same goals.

About the title

The title, inspired by the theme of the Sasol New Signatures competition, is ambiguous. It refers firstly to the articulated joints of the robots; secondly, to the ways in which some robots express themselves through their body language while others remain inscrutable or at risk of misinterpretation; and thirdly, to the opportunity availed to audiences to mirthfully articulate their thoughts about relatable situations in everyday life, and thereby to understand each other better.

My Process

An artwork begins with a ballpoint drawing on acid-free paper. Occasionally I may also use pencil construction lines and reference photos.

Once this base drawing is complete, it is professionally scanned at high resolution and then cleaned up to remove stray spots or finger marks before being turned into a museum-quality print on off-white German etching paper. The process enhances the original work, creating greater contrast and presence. The paper size is usually bigger than the original, to allow for better positioning during framing.

I then draw in additional unique elements such as additional figures, botanical elements or embellishments, once again using ballpoint. The Hahnemuhle paper has a blackening effect on the ballpoint additions, so the transitions between the print and the new marks are not easily apparent to the viewer, even by close examination. The final artwork is a unique numbered variant of the base drawing.

Sometimes the base drawing is also available to buyers. While the scale is typically the same, the paper size is usually smaller, and the drawing itself is dark grey on white paper rather than solid black on off-white textured paper.

I sign my work on the back.

Framing

I regard presentation as an important part f the buyer's experience, and therefore prefer to present and sell my work framed where possible. I collaborate with expert framers who are either artists or art consultants, and will usually choose art glass and aluminium with off-white mounting.